Brian Castleberry’s latest novel, “The Californians,” presents a grand exploration of American history through the lives of two families, the Stiegls and the Harlans. The storyline links various eras, from the peak of silent film to the Reagan years and the emergence of cryptocurrency.
To help readers navigate the family connections, a family tree is provided at the beginning of the book. The narrative kicks off in the present day with a dramatic wildfire threatening Tinsley, California. The opening line sets a gripping tone, revealing that a young man, Tobey Harlan, will soon steal three incredibly valuable paintings from his father’s home as he escapes the chaos.
However, while the novel begins with potential, its structure can confuse readers. After Tobey finds refuge at a neighbor’s home, the tale shifts back to 1928, detailing the decline of silent films. We meet Klaus von Stiegl—a German immigrant and aspiring filmmaker making his way to Hollywood, followed by a jump to 1979 where his granddaughter, Diane “Di,” pursues her career in avant-garde art. The narrative includes a mix of letters, text messages, and articles, which, while rich in context, can feel overwhelming at times.
Art serves as the heart of this novel, linking Klaus and Di as they navigate their artistic struggles. In a poignant exchange set in 1971, Klaus shares a bitter truth about art in America: it is often funded by someone and critiqued by many, yet occasionally, a piece resonates deeply, changing lives in small but meaningful ways.
Readers will have to determine if “The Californians” strikes a chord with them, but the themes of creativity and resilience could resonate with many. Klaus wisely reminds us that creators often face criticism from those who don’t understand their journey. Whether you find value in this novel may depend on your own perspectives and experiences with art and family.
