Bremen, Georgia — The Revival of “The Sacred Harp”
“The Sacred Harp,” a cherished collection of sacred songs dating back to before the Civil War, is set for an update. This traditional hymnal features a unique system of shape notes that allows singers to create harmonious music together.
For more than 180 years, “The Sacred Harp” has been a vital part of America’s folk music scene. Its upcoming revision marks the first change in 34 years and highlights the community spirit that defines this rich musical heritage.
David Ivey, a lifelong singer and the chair of the revision committee, emphasizes that this new edition is a renewal rather than just a reprint. “It’s what keeps our book vibrant and alive,” he explains.
Why This Revision Matters
Originally published in 1844 by Benjamin F. White and Elisha J. King, the updates aim to incorporate works from contemporary composers into the traditional collection. The nine-member committee feels a great sense of duty to maintain the integrity of this cultural treasure while allowing it to evolve.
Ivey notes that Sacred Harp singing is not just about the music; it’s also about family traditions and spiritual connections. While many participants identify as Christian, the community includes people of various backgrounds and beliefs, creating an inclusive atmosphere.
These hymnals are personal treasures for many singers. They carry memories, with some even using them like family Bibles, filled with notes and mementos that tell their life stories.
A Long-Awaited Update
Years of preparation have gone into this upcoming edition, which was authorized in 2018 but faced delays due to the COVID-19 pandemic. The new version will debut at the annual convention of the United Sacred Harp Musical Association in Atlanta this September. Ivey hopes it will resonate with singers, though he also acknowledges some nervousness about the changes.
The committee is carefully considering which songs to keep and which to introduce, having invited input from the broader community through meetings and singing events. Over 1,100 new compositions have been submitted for evaluation.
A Unique Singing Tradition
Sacred Harp singing is meant to be a group experience, where everyone participates loudly and joyfully. Each event features a selection of songs from the hymnal, which the singers read in a distinctive way, using the shape notes: fa, sol, la, and mi.
The singers form a hollow square, divided into four voice parts: treble, alto, tenor, and bass. A leader guides them as they sing together, creating a powerful and communal sound.
This tradition has roots in the 18th-century singing schools of New England, aimed at enhancing Protestant church music. Over time, “The Sacred Harp” became synonymous with community gatherings, celebrating the joy of singing together.
Notably, the hymnal is intentionally non-denominational, showcasing lyrics from various Christian reformers. While it has not always been used in formal church settings, it has woven itself into the social fabric of the rural South, and its impact continues to grow beyond its origins.
In conclusion, the upcoming revision of “The Sacred Harp” is not just about updating a book; it’s about nurturing a vibrant community of singers dedicated to preserving and celebrating their shared musical heritage.
