In the 2010s, Mumford & Sons emerged as a significant force in music, bringing bluegrass and Americana back into the spotlight. Their energetic style resonated widely and created a loyal fan base. However, the COVID-19 pandemic brought challenges, including the departure of banjoist Winston Marshall and the release of frontman Marcus Mumford’s solo album. Now, as a trio, Mumford & Sons returns with their new album, “Rushmere,” their first in nearly seven years.
“Rushmere” is a comforting listen that stays true to the band’s roots, featuring the familiar sounds of folk instruments and harmonious singing. This album marks a shift from their last work, “Delta,” which incorporated electronic elements. Instead, “Rushmere” fully embraces their folk traditions.
The band recorded the album under the direction of producer Dave Cobb in various locations, including Nashville and Savannah, as well as in Mumford’s studio in the UK. The opening track, “Malibu,” begins softly, leaving listeners curious if this will be a deeper, more reflective album. However, as Mumford’s strong vocals and rich instrumentation unfold, it’s clear that this is the vibrant sound that initially captivated fans, reminiscent of their earlier work.
Lyrically, Marcus Mumford explores profound themes such as truth and hypocrisy, often referencing Christian imagery. While he touches on spiritual matters, his lyrics maintain an open and honest tone. For example, the title track “Rushmere” evokes nostalgia, recalling the simple joys from the band’s early days.
“Don’t you miss/The breathlessness/The wildness in the eye?” Mumford sings, expressing a longing for youthful excitement while reflecting on the wisdom gained with age. The album is not just a regurgitation of past hits; it also ventures into new territory. The rock-infused track “Truth” stands out with its bluesy bass lines, followed by the more introspective “Monochrome.”
The closing track, “Carry On,” features some of the album’s most significant and religiously themed lyrics, juxtaposed with lively guitars and gentle rhythms. Mumford thoughtfully addresses the complexities of “original sin,” highlighting the potential for hypocrisy within doctrines.
With ten tracks, “Rushmere” feels brief yet substantial, making it a rewarding experience for long-time fans and newcomers alike. Its blend of traditional sounds and relatable themes invites all listeners to connect with its message.
