ST. LOUIS — A New Opera Reflects on Family and History
Last weekend, the Opera Theatre of St. Louis introduced “This House,” a moving new opera that explores themes of love, legacy, and the weight of history through the eyes of a family in Harlem. The matriarch, Ida, poignantly addresses both her family on stage and the audience, reminding them, “History’s the only thing to survive.” Soprano Adrienne Danrich delivers these heartfelt lines, highlighting the enduring connection between generations.
The opera, composed by Ricky Ian Gordon with a libretto by Lynn Nottage and her daughter Ruby Aiyo Gerber, captures critical moments in Black history. It touches upon events like the Civil War, the Great Migration, and the impact of gentrification, all within the context of one family’s journey. The backdrop is a Harlem brownstone purchased in 1919, linking the past with present-day struggles.
Gerber, who began writing “This House” during her senior year at Brown University in 2020, shared her aspiration to narrate significant moments in Black history “so that there is not this erasure.” The opera was commissioned in celebration of the Theatre’s 50th anniversary and serves as its 45th world premiere. It’s been described as a blend of family drama and ghost story, emphasizing memory and inheritance.
Gerber collaborated closely with her mother, Nottage, allowing for a candid exchange of ideas. Together, they adapted the story from its initial play format into this opera, showcasing the unique creative dynamics of their mother-daughter relationship.
The characters grapple with modern dilemmas, such as whether to subdivide the old family home. Zoe, the ambitious investment banker, struggles with the anxiety and trauma of her past. The opera’s 10 characters, eight of whom are Black, engage in a dramatic narrative filled with love triangles and unexpected events.
Daniela Candillari conducted the orchestra with a passion for contemporary music. She emphasized the importance of a living composer’s insights in interpreting the score, which adds richness to the performance. The St. Louis Symphony Orchestra, featuring 48 musicians, played under the challenges of the venue’s acoustics, enhancing the opera’s overall depth and effectiveness.
As the evening unfolded, the opera reminded audience members of the complex interplay between the past and the present. Danrich, who portrayed Ida, found a personal connection to her character, reflecting on her own family history in St. Louis.
“This House” is more than just an opera; it’s a poignant reflection on the significance of family, the lessons of history, and the ongoing journey toward understanding and reconciliation. Through its powerful storytelling, it captures the spirit of resilience, urging audiences not to forget their roots while forging ahead into the future.
