CANNES, France — Ari Aster’s new film, “Eddington,” made its debut at the Cannes Film Festival, capturing mixed reviews. This COVID-era Western explores a fictional small town in New Mexico where chaos ensues due to conspiracy theories and divisive politics.
Starring Joaquin Phoenix as a frazzled sheriff vying for mayor, “Eddington” is one of the most anticipated American films to come out of Cannes this year. Aster, known for his earlier works “Hereditary,” “Midsommar,” and “Beau Is Afraid,” steps into the political arena with this film, which will be released by A24 in July.
The story reflects the pandemic’s impact on American society, depicting a local feud that spirals into larger issues like mask mandates and the social unrest sparked by events such as George Floyd’s death. Joe Cross, played by Phoenix, grows frustrated with the town’s mayor, portrayed by Pedro Pascal, and decides to challenge him. Cross’s wife, played by Emma Stone, adds to the mounting tensions.
In this dark satire, both conservative and liberal viewpoints are critiqued, illustrating how the internet can contaminate social discourse.
“Eddington” has stirred up a variety of opinions at Cannes. While some critics praised its timely portrayal of modern America, others found it confusing and long-winded. After the screening, Aster faced a tepid applause and expressed uncertainty about the audience’s reactions, admitting, “I don’t know what to say. I don’t know what you think.”
With its ambitious themes, “Eddington” aims to engage viewers in a conversation about the state of American culture and politics during tumultuous times.
