Dakar, Senegal – The Dakar Biennale of Contemporary African Arts, a major event in the world of art and culture, is taking place in Senegal’s capital. Since its inception in 1989, this biennial event has attracted a diverse range of artists, curators, and art enthusiasts from around the globe. For a full month, Dakar is transformed, with cultural activities spreading across various venues including luxurious hotels and local galleries. The city buzzes with energy, as traffic swells and lively events unfold against the backdrop of the beautiful Corniche.
This year, artisans from the Soumbedioune crafts market, located near the bustling Medina neighborhood, are finally getting the recognition they deserve during the Biennale. Ndiouga Dia, a seasoned leatherworker, expressed that for years, they were unaware of the Biennale’s significance, often seeing signs of events without understanding their meaning. This changed when local designers invited them to participate in an exhibition.
Senegal has a rich tradition of craftsmanship, with artisans historically playing a crucial role in creating everything from religious sculptures to traditional clothing. However, the decline of local craftsmanship has been concerning, as rising living costs lead many to opt for cheaper imports instead of supporting local artisans.
In a refreshing change, Dia and his fellow artisans were invited to interpret the theme of “hippo” for a unique exhibition. This theme not only resonates across Africa but also symbolizes a shared connection among communities by the water. The exhibition, featuring creative pieces like hippo sculptures and jewelry, has attracted attention from locals, instilling a sense of pride in the artisans’ work.
Papise Kanté, a sculptor who contributed to the exhibition, noted that this opportunity allowed him to express his creativity beyond just selling his work. He emphasized the pride that comes with being recognized in such a prominent event. Kemi Bassène, one of the designers involved, highlighted the historic inclusion of traditional artisans in the Biennale, aiming to bridge the gap between traditional crafts and modern design.
This year’s Biennale is particularly significant as Senegal undergoes notable political changes. The recent election victory of the governing party, PASTEF, has given President Bassirou Diomaye Faye a mandate to implement reforms geared toward enhancing the living conditions of everyday Senegalese. The theme of this year’s event, “The Wake,” echoes a desire for Africa to move away from reliance on former colonial powers and embrace self-determination.
As the Biennale progresses, the artisans of Soumbedioune have ambitious plans. Dia mentioned a collaboration with a local school to produce backpacks, with hopes of expanding production nationwide, enabling families to choose locally made products over imports. “We have all the know-how,” Dia asserted, emphasizing their dedication to creating quality local goods.
Through this growing recognition and empowerment, the artisans are not only preserving their crafts but also paving a path for a more self-sufficient Senegal.
